#Pieces 1982 dvd chapters movie#

Organise MonashД«eginning of online film magazine LOLA with Girish Shambu. Spanish and Portuguese editions follow in 20. Дў008: second book only in Spanish, Вї QuГ© es el cine moderno? ( Uqbar, Santiago).Дў011: first edition of Last Day Every Day ( punctum books, USA), Wide Angle morphs into an ongoing video feature, The Thinking Machine. Tsai, Minnelli, Truffaut, Svankmajer, Godard, Hou, Kawase, Grandrieux,Д®xperimental cinema, film theory/history/criticism вЂ¦Дў007: the start of two long-running, monthly orД«i-monthly columns: World Wide Angle in de Filmkrant (Holland, print & online ), and Scanner in Caiman (Spain, print only). Writing of academic articles & book chapters on Lang, Audio commentary workДЇor Australian DVD company Madman until 2010.Дў007-2012: work at Monash University travel to Obtain a degree) invited to research & teach there. Finish a PhD on film style for Monash University (and thus finally Co-editor of online magazine Rouge until the end of 2009.Дў004: two books on RaГєl Ruiz, Images of Passage (Rouge/Rotterdam Film Festival) & the Spanish-language Magnificent Obsessions (Buenos Aires Film Festival).ДЄge.

#Pieces 1982 dvd chapters movie#

Appearance of Movie Mutations in book form (BritishДЇilm Institute). Writing, editing, translating & publishing and with the collective Movie Mutations project led by JonathanДЎ997: winner of the Pascall Prize for Arts Criticism (Australia).Дў000s: trips (festivals & lecturing) to Argentina,ДЇrance, Chile, Slovenia, Canada, Holland, USA, Britain, Hong Kong, Ireland, Singapore, Late вЂ90s: beginning of involvement with Internet FirstДЄrticles published beyond Australia: FilmД¬omment, Sight and Sound, Trafic, Meteor, Skrien вЂ¦ Freelance pieces for aДЇurther wave of Australian magazines: Scripsi, Agenda, World Art, Studio for Men вЂ¦ Involvement in screenplayД®diting/assessing/writing on the margins of the Australian film industry. Rotterdam, Madrid Week of Experimental Cinema, etc. These two gigs comprise much of this websiteвЂ™s content.ДЎ997: second book, on Sergio LeoneвЂ™s Once Upon a Time in America in theД«ritish Film InstituteвЂ™s Modern Classics series.ДЎ990s: first trips to overseas film festivals: The literally thousands of texts generated in the eleven years covered by Program вЂњThe Week in FilmвЂќ (the latter until the end of 1997). Occasional pieces for various Radio National programs.ДЎ992-1994: regular Films on Video reviewing for newspapers The Age and The Australian.ДЎ993: a winner of the Byron Kennedy Award, establishedД«y George Miller for the Australian Film Institute.ДЎ994: first book, Phantasms (essays on popular culture) for Penguin (Australia).ДЎ995: become a weekly film reviewer for The Age (Melbourne) and Radio National Press, Tension, Cantrills Filmnotes, Xpress, Third Degree, Intervention, Art & Text, Metro, Filmnews, Photofile, New Theatre Australia, On the Beach вЂ¦ Semi-regular film reviewДЎ988-1992: part-time teaching film & culturalДЎ992: editing of special journal issue of Continuum вЂ“ Film: Matters of Style. (mainly unpaid) for many film and arts magazines that come and go on the On video & TVвЂ™ for various Australian newspapers.ДЄll through the 1980s: massive freelance writing 1988: move back to Melbourne.ДЎ987: first occasional feature pieces and reviews of вЂfilms

Later absorbed by Melbourne University also at RMIT & Swinburne.ДЎ986/7: move to Sydney. Previously a drop-out), later renamed Melbourne College of Advanced Education, and First invited public talks at film or art events.ДЎ982-1985: intense 4 years of teaching (at all levels)ДЄt Melbourne State College (an institution for teacher training, where I was Drop out from all of them.ДЎ979: first published article, a book review in theДЄrt scene around impresario Paul Taylor and his magazine Art & Text. Notes, diaries, sketches of reviews & essays.ДЎ977: first of several attempts, in several states ofДЄustralia, to stick with a University degree. Early education: Collapsed Catholic.ДЎ974: precocious cinephilic self-education begins.